THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Equanimity


 
From our pre­sent, com­pletely ful­filled stand­point in the ab­so­lu­te mu­si­cal force-field of the har­mony, we are com­pletely in­dif­fer­ent in a natu­ral man­ner to the rela­tive, lim­ited proc­ess of gain­ing knowl­edge in mu­sic.
We have left this lim­ited field of mu­si­cal knowl­edge be­hind, and we are in the field of to­tal mu­si­cal ful­fil­ment.

 
The Listener at the Summit of the Musical Path of Cognition
What else would we want to do with the rela­tive mu­si­cal world? Why should we still want to aim at a rela­tive mu­si­cal crea­tive proc­ess? More we can­not achieve than what we have al­ready achieved here in the har­mony, at the summit of all mu­si­cal life.